Natural Pigmets
Byzantine Iconography uses traditional techniques to produce Icons and frescoes. These techniques have been passed down and have remained unchanged through the centuries. This tradition coincides with the Christian Orthodox church’s concept of Apostolic Succession. As the faith was passed down directly from Christ, to the Apostles, down through the ages, so has Iconography been passed down and has remained unchanged.
Traditionally, only natural pigments were used to create icons, however, in modern times, as in the case of certain pigments used, synthetic equivalents have been created. This has come about, due to the toxicity of certain pigments, for example; red pigment was derived from Mercury, and white pigment was derived from Lead. Many of these traditional pigments are still available, but can come at a hefty price and obvious health risks.
The pigments are combined with other natural materials such as egg yolk and vinegar to make paint called Egg Tempera which comes from the Latin word ‘tempere’, meaning ”mixing in due measure”. Wood, gold leaf and animal glue are some other natural materials used to make an icon.
The Iconographer, through prayer, fasting and using traditional techniques, begins the work of transforming these natural materials into an Icon.
~Apostolis